c jere sailboat sculpture

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1970s Curtis Jeré Modernist Sailboat Sculpture by Curtis Jere

Mount Penn, PA

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Description

Origin United States Period 1950-1979 Dimensions W. 48 in; H. 41 in; D. 7.5 in; W. 121.92 cm; H. 104.14 … more Origin United States Period 1950-1979 Dimensions W. 48 in; H. 41 in; D. 7.5 in; W. 121.92 cm; H. 104.14 cm; D. 19.05 cm; Condition Excellent. Creation Date 1970's Description Bright Brass Metal sailboat Sculpture that can be Wall Mounted or placed upon a Console Table signed C.Jere 1976. Styles / Movements Mid Century, Modern less

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Signed C. Jeré Sailboat Sculpture

$ 100.00

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This is a signed copper and brass sculpture made by the metalwork duo C. Jer é , a combination of the names Curtis Freiler and Jerry Fels. It is of 2 sailboats with a seagull. I have not been able to verify the base’s material, but it is likely quartz. No bends or damage.

Measurements: 13.25″ tall, 8.5″ wide, 4″ deep

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(clear history), c. jeré sculptures.

Mod Metalwork: Founded in 1963 with the goal of producing “gallery-quality art for the masses,” Curtis Jeré is a compound nom-de-plume of artists Curtis Freiler and Jerry Fels. In C. Jeré’s works, which range from representational to highly abstract, brass, copper, and other metals are sheared, crimped, torched, and welded before being coated with luminous patinas. Each of the signature C. Jeré pieces we offer is exclusive to Jonathan Adler and can only be found at our retail locations and our online store.

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Curtis Jeré

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‘He was larger than life’: David Govedare, sculptor of Bloomsday runner statues in Riverfront Park, dies

David Govedare, the sculptor of the Bloomsday runner statues in Riverfront Park as well as many other works seen across the country, died Wednesday. He was 71.

Govedere died of health issues Wednesday morning at the hospital, said local musician Cary Fly, Govedere’s close friend and frequent collaborator. He is survived by his only son, Forest.

“He was larger than life. A Hemingway-esque figure,” Fly said. “He was huge inside and outside and had so much love and all of that inside of him. … He encompassed life in a way that no one else could do because his scope was so huge.

“It’s a big hole,” he added. “It’s something we’re all trying to deal with.”

The fleet of life-sized metal runners that make up Govedare’s 1984 work “The Joy of Running Together” may be “one of the most successful works of public art in our region,” said Karen Mobley, a local visual artist and public art consultant.

“It commemorates something that’s really important to lots and lots of people,” Mobley said, “but it’s also kind of taken on its own life where people use it as a way to interact and participate with the sculpture around other things besides Bloomsday.”

Pieces from the artist’s portfolio can be found on the outside of walls and standing in front of several high schools across the state.

Govedare’s more famous works include the 2002 piece “The Guardians of the Lake,” on which he worked with Keith Powell. The 25-foot, 800-pound metal feathers were installed in the Northwest Boulevard median in Coeur d’Alene in May 2002.

With his earlier 1989 work called “Grandfather Cuts Loose the Ponies,” 15 metal horses appear to be galloping along a ridge overlooking Interstate 90 in central Washington across the Columbia River. “Grandfather Cuts Loose the Ponies” is unfinished: Govedare’s concept also called for the horses to appear spilling from a 25,000-pound, 36-foot-diameter steel basket.

Fly said he hopes to see the sculpture, which has faced funding challenges, get finished someday.

“He has small models of (the basket), of course,” he said, “and he has all of the dimensions and all of the instructions on how to build it at hand for whoever does it. Maybe his son; he taught his son how to do that.”

Outside of the Pacific Northwest, Govedare crafted the 1997 “Phoenix Fountain” sculpture located outside of the Doyle Convention Center in Texas City, Texas. Another in Texas City called “Somewhere On The Trail,” which depicts the silhouette of a mounted Native American gesturing to the sky, was unveiled in 1999 in Bay Street Park.

Mobley, who worked on a few projects with Govedare over the years, said much of his art is resourceful – as seen from his use of found materials – and reflective of his interests in indigenous communities, the human form and gestures.

“I doubt there’s hardly a person who’s driven from here to Seattle who isn’t familiar with his horses that are on that ridge up above the Vantage Bridge,” she said. “David is an iconic guy in terms of his work, but he’s also a beloved person.”

A California native, Govedare first came to the Spokane area for an internship with an architect during Expo ’74. At the time, he was a California Polytechnic Institute architecture student.

Fly said the two met in the early ’70s at the former Goofy’s Tavern, where Fly was playing a show. Fly said he and Govedare grew “closer than brotherhood” from then on; Govedare designed the covers for Fly’s six albums, while Fly wrote music for his sculptures.

“My god, what a genius,” Fly said. “Just a fabulous artist and an extraordinary human being.”

Mobley described Govedare as “a fabulous dancer,” saying he was always seen at blues music festivals and the like where he was “the life of the party.”

“He just had huge energy for that, especially when he was a little bit younger,” she said.

Fly said he plans to start a fundraising page to raise money to help preserve Govedare’s ranch in Chewelah that’s partly occupied by the artist’s design studio.

“His legacy will live on, undoubtedly,” Fly said. “He put himself in all of his artistic works, and he put himself into all of his interpersonal relationships and did it better than anyone could. Shakespeare would have a tough time describing his magnitude.”

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About Moscow City Ballet

The company’s greatest success has been in the United Kingdom where it has given more than 1000 performances since 1991, accompanied by the Moscow City Ballet Orchestra. Considering classical ballet to be an important part of the national heritage of Russia, Moscow City Ballet aims to bring it to as wide a public as possible, especially the new generation of ballet-going youngsters.

Smirnov-Golovanov’s own productions, as well as previous versions of the classical ballets, all share a clearly-defined style, ideas, and choreographic integrity, setting high-performance standards. The company is renowned for the perfection of its corps de ballet in the best traditions of the Russian school of classical ballet. The company’s unique style is ensured by the dedicated efforts, both in production and rehearsal, of its artistic director, Ludmila Nerubashenko.

Vintage Brass Skeleton Sailboat Sculpture by Curtis Jere

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• Item Details
• Seller Information

About the Item

• Creator : Artisan House (Manufacturer) , Curtis Jeré (Designer)
• Dimensions : Height: 41.5 in (105.41 cm) Width: 46.5 in (118.11 cm) Length: 41.5 in (105.41 cm)
• Style : Mid-Century Modern (Of the Period)
• Materials and Techniques : Brass
• Place of Origin : United States
• Period : 1970-1979
• Date of Manufacture : 1976
• Condition : Good Wear consistent with age and use. In good condition with wear such as patina on the brass. See photos.
• Seller Location : San Jose, CA
• Reference Number : 1stDibs: LU1582216302171

Curtis Jeré

Though the name Curtis Jeré is familiar to many as the maker of ebullient and eccentric modern design from the 1960s and ‘70s , relatively few are aware that it is a pseudonym for the design team of Curtis Freiler and Jerry Fels . Together, the two created some of the most striking and vivid furnishings and decorative objects of their era, from sculptures and dynamically framed mirrors , to lighting and wall decorations .

New Yorkers Freiler and Fels had collaborated for two decades on small jewelry lines before launching a design company called Artisan House in 1964. They combined variants of their names to create an artful persona — sometimes shortened to C. Jeré; the "surname" is pronounced with a rising inflection: jhayr-EH — that stood behind large-scale decorative metalwork, marked by semi-abstract petal forms with burnt and brazed edges. Fels served as head of design, and Freiler, known for his keen handiwork, was the production chief. The pair’s eclectic metalwork has captivated decorative art collectors and interior designers ever since.

The work of Curtis Jeré displays a sense of playfulness and curiosity, while drawing on inspirations and themes that include flowers, discs, geometric forms and animal figures. Freiler and Fels had a masterful ability to work with different materials, such as patinated brass and brilliant chrome.

The price of a Curtis Jeré mirror, lamp, wall-mounted sculpture or tabletop sculpture can range from $400 to $12,000, depending on the size, the rarity of the piece, the intricacy of the metalwork and the materials used in its construction. Other factors like condition can affect the perceived value and, thus, the cost of works by Curtis Jeré.

As you will see on 1stDibs, the imaginative powers of the designers of Curtis Jeré pieces were boundless, and their creations will add a dash of verve in any room.

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