vetrimaran movie review

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Viduthalai Part 1 movie review: Vetrimaaran film is not for the faint-hearted, questions police brutality without fear

Vetrimaaran's much-awaited movie viduthalai part 1 was released on friday. it features soori, gautham vasudev menon, vijay sethupathi, chetan and bhavani sre..

Vetrimaaran ’s Viduthalai Part 1, his most hard-hitting film since Visaranai, isn’t just another film on police brutality but one that exposes the inefficiency of a system which continues to prey upon the weak. The film, which is definitely not for the faint-hearted, is an elaborate, detailed exploration of abuse of power and it dives deep into the psyche of a man, an honest police constable, who is torn between his job and seeking the truth. Also read: Vetrimaaran, Pa Ranjith defend farmers' right to protest

The film is narrated from the perspective of Kumaresan (Soori), a righteous police constable who gets recruited into the team that has been on the hunt to capture Perumal aka Vaathiyar – The Mentor ( Vijay Sethupathi ), the leader of the local separatist group called Makkal Padai (People’s Army). Kumaresan joins the force with big dreams but little does he know that he would spend most of his time doing menial jobs – from delivering food to every check post through the forest to doing tower duty at night. When Kumaresan accidentally crosses paths with Vaathiyar and later plays a pivotal role in his capture, his beliefs about what’s right and wrong are questioned.

The film opens with a train blast and the visuals are easily the most chilling scenes one would've seen in Indian cinema in recent years. People’s Army is blamed for the attack which has resulted in 28 deaths and many severely injured. The police department launches operation ‘Ghost Hunt’ to capture Vaathiyar dead or alive. Cut to next shot, we see a bus being frisked at a check post and the police shoot down two men (for carrying weapons) in cold blood when they try to flee the scene. In both the scenes, some lives have been taken but the police killings are justified as they become newspaper headlines the next day. Viduthalai questions the ethics behind police brutality in the most uncomfortable, unflinching fashion. The fact that it narrates the story from the perspective of an innocent constable makes the experience more chilling than one can imagine.

The film unfolds like a crime drama and takes its own sweet time to set up its world. Apart from throwing the spotlight on police brutality, the story also discusses the state of politics in Tamil Nadu in the 1990s. Soori, who has so far played comic roles in his career, is a very interesting choice to play the central character. He becomes a silent spectator – just like most of us - to all the atrocities that happen in the name of police investigation. He brings out the innocence as well as helplessness of his character so effectively.

Vetrimaaran makes some very interesting casting choices. It’s a masterstroke to cast Gautham Vasudev Menon to play a key role. A filmmaker whose films (in the past) glorified cop killings now plays a cop in a film that exposes police brutality in the most hard-hitting fashion. Vijay Sethupathi as Vaathiyar is a no brainer. Even though he makes an extended cameo appearance, he leaves maximum impact in those scenes. Bhavani Sre is a talent to watch out for and the role of the women, who face the maximum brunt, is what makes Viduthalai disturbing at times.

• Vetrimaaran
• Vijay Sethupathi

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User reviews

Viduthalai: Part 1

• vibhus-17780
• Mar 30, 2023

Raw, in-your-face, hard hitting - Loved it.

• TreeFiddy53
• Mar 31, 2023

World class

• Apr 1, 2023

Even awards are small for Vetrimaran's movies

• bizzarebrajesh
• Apr 7, 2023

Vetrimaaran is one of the best filmmaker in the country.

• gangeshgnair
• Apr 13, 2023

A engaging flim

Disturbing & unsettling, waiting for the part 2.

• Rajit_thebingewatcher
• Jul 11, 2023

Vetrimaran's Supremacy

• muruganshanthanu

Hard hitting film which sets the right tone for the sequel.

Blood boiling viscerel.

• Jithindurden
• Apr 6, 2023

Ruthless Movie: An Intense and Unique Cinematic Experience

Unnecessary focus to explicit scenes, with little importance to the plot.

• sanjai-839-531213
• May 2, 2023

Uncut Masterpiece

• Apr 3, 2023

Great movie

• bhardwajnitish-99220
• Nov 19, 2023

Unbelievable,

• minishaluja
• Apr 22, 2023

Brutal in frame but even harsh in reality

• pranayjalvi
• May 20, 2023

Vetrimaran , soori and Vjs the best

• rajvignesh-60140

It's 100% raw movie

• sathishrohin

Not as impactful as some of Vetri's other films, but Part 2 looks interesting! [+65%]

• arungeorge13

Hits the bull's eye...!!!

• PANDIAN120621

A middling affair (coming from a Vetrimaaran fan).

Another vetrimaaran's masterpiece, amazing movie.

• Jul 28, 2023

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Vidhuthalai Part 1 review: Vetrimaaran’s film rages against abuse of institutional power

Viduthala review: vetrimaaran is back with another film about police brutality that is heart-wrenching and might be a hard watch if you prefer your safety zone..

One of the absurdities of our modern life is that an average person walking on the road at midnight is more scared of police than a robber. A structure vested with power in order to protect the public is often used by powerful to guard their own institutions and hierarchy. Vetrimaaran’s Visaaranai (2016) is about the abuse of police power and exploitation of the voiceless. With Viduthalai, the director has expanded his canvas beyond police and is focussing his lens on the whole institutional power structure. Similar to Visaaranai, the violence on the screen can be overwhelming, and one wouldn’t be entirely wrong in calling the film torture porn. Then again, in an industry where violence has become synonymous with heroism, Vetri is one of the few filmmakers who depict violence as it should be. The bloodshed and gunshots here are not complemented by a raging techno background score and racy edits, but by wails and screams.

Viduthalai is set in the 80s in a fictional village on a forested hill. It begins with a gory train accident — the long sequence, which looks like a single shot, pans through the devastated accident scene where bodies and body parts are scattered. Women wail their hearts out and beat their chests. Hands, legs, and other parts are piled up on a rug sack. Men with mutilated legs and hands try to hold on to their lives. All this gore is to evoke a sense of anger towards the perpetrators, who bombed the bridge killing these innocent people. A poster on the bridge claims that it was done by Makkal Padai (People’s Army), a militant outfit that is headed by a faceless man named Perumal aka Vaathiyaar (teacher). Government is quick to organise special battalions and start an operation to nab the ‘terror outfit’, and Kumaresan (Soori) joins one of the camps as a jeep driver. Through the letters, he writes to his mother, the innocent and naïve constable narrates the horror that unravelled in the forest and his part in the game of power.

Soori makes us believe that Kumaresan is an actual person. Soori told the media ahead of the film’s release that Vetrimaaran chose him because he saw ‘innocence’ in his face, and that’s exactly why we start rooting for Kumaresan. Yet, he is not just this epitome of innocence. He is also adamant when it comes to what is right and wrong. He refuses to apologise to the camp’s head Ragavendar (Chethan) because the naïve constable believes he hasn’t done any wrong. Seeing this insubordination, a fellow cop tells Kumaresan, “You are not at all fit for police work.” Unconditional obedience is what makes this power structure work, not righteousness. That’s why Kumaresan, a believer in Saint Vallalar’s teachings, is unable to apologise. A costly mistake that keeps haunting him throughout his life. Ragavendar is upset that a ‘simple’ constable is not bowing down to him, and that’s the essence of the power abuse that the film addresses.

Every interrogation of a suspect, irrespective of gender, involves disrobing and physical assault. Ragavendar casually utters, “Treatment ah aarambinga (Start the treatment).” That just implies that they have a set of procedures to torture–as if they are from a textbook. It’s like Vetrimaaran telling us to define the word ‘organised crime’.

Apart from Soori’s casting, Vetrimaaran wins by choosing Gautam Menon as Sunil Menon and cinematographer Rajiv Menon as his senior officer. I won’t believe if someone says their real-life surnames have nothing to do with the role they are given to play in the film. And both the Menons keep referring to a ‘superboss’, who they are reporting to. The pyramid of power keeps going up and no one knows what the face at the top looks like. Everyone is a cog in the wheel of this giant institution that spins only to wield power. All these nuances make Viduthalai a layered film that achieves far more than Visaaranai.

The only bothering aspect of Viduthalai is its repetitive depiction of violence. Even before the triggering climax portion of the film, Vetri shows a lot of violence and we are soon numb. Maybe, that’s the point. Viduthalai is triggering because it is meant to.

Viduthalai cast:  Soori, Gautham Menon, Chethan, Vijay Sethupathi

Viduthalai director:  Vetrimaaran

Rating:  3.5/5

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Kirubhakar Purushothaman is a Principal Correspondent with Indian Express and is based out of Chennai. He has been writing about Tamil cinema and a bit about OTT content for the past eight years across top media houses. Like many, he is also an engineer-turned-journalist from Tamil Nadu, who chose the profession just because he wanted to make cinema a part of his professional life.   ... Read More

• Vetrimaaran
• Vijay Sethupathi

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‘Viduthalai Part-1' Review: Soori Shines in Vetrimaaran’s Realistic Cop Drama

'viduthalai' is directed by national award-winning filmmaker vetrimaaran and the music is composed by ilaiyaraaja., ‘viduthalai part-1' review: soori is convincing in vetrimaaran’s realistic cop drama.

Consider this list:

Vetrimaaran’s Visaranai , India’s official entry to the Oscars in 2016

Suriya-starrer , Jai Bhim

Taanakkaran , directed by Tamizh

Franklin Jacob’s  Writer presented by Pa Ranjith

Maari Selvaraj’s Karnan starring Dhanush

Featuring Soori and Vijay Sethupathi , Viduthalai (Freedom) joins this short list of some of the most important cop dramas in the Tamil film industry that vehemently raise a voice against the glorification of police brutality on screens.

Adapted from the short story titled ‘Thunaivan', written by B Jeyamohan, Viduthalai is not from the usual flamboyant cop universe where the protagonist is a stylish police officer who goes about killing goons as if he were a player in PUBG. And no, the film does not add mass background music simply to amp up the swagger of the hero's murders.

Set in the 1980s, the film opens with a tragic train accident in a hilly terrain of southern Tamil Nadu. The police suspect the bomb blast was executed by Makkal Padai, a separatist group which claims to oppose the government as the measures taken for development of the region comes at the cost of destruction and depletion of natural resources and the ecosystem.

But were the Makkal Padai really behind the horrific train attack that killed several civilians? Who is the mastermind operating this outfit? Why do some villagers support the group that is termed a terror organisation? A naïve cop, Kumaresan (Soori) who joins the police department tasked with hunting down the kingpin, tries to give us the answers.

The film gets more realistic and rustic as it proceeds with its narration. Using the word 'terrifying’ to describe the brutality on screen would be too mild a word. Viduthalai screams of pain and helplessness under the abuse of power.

Viduthalai is a socio-political commentary that delves deeper into the systemic oppression present in the police forces. It talks about how those at the tail end of the hierarchy are forced to kill their passion to serve the people – which should ideally be the objective for any police officer on duty – just to survive and stay in their jobs.

Soori is excellent with his convincing performance as an innocent, honest, and humane cop. He does take the liberty to show off his comedic timing to spur sporadic laughter without deviating much from the serious plot.

It was interesting to see Gautham Vasudev Menon, a filmmaker whose police-themed films were appreciated but were also criticised for glorifying police encounter killings, star in a cop role that pretty much does the same. However, the gaze was quite the opposite when positioned in the Vetrimaaran universe.

The supporting actors, including Bhavani Sre, Chetan, and Rajiv Menon, deliver great performances. The songs by Ilaiyaraaja, specifically the one in Dhanush’s voice, are soothing to our ears.

Viduthalai succeeds in pulverising the audience’s hearts every time it plays 'Aararirao', a word used in Tamil lullabies, infused in an 'Oppari', a folk song tune used at funerals.

The film has graphic displays of custodial torture that may border on torture porn; however, with the ultimate messaging of the film intact, it is quite evident that the director has his heart in the right place.

Another doubt along similar lines: Why would Vetrimaaran , who is known for his anti-caste films, introduce a cop named ‘Menon’, a caste marker used predominantly in Kerala? I didn't find a major significance to its reference in this film. Was it really necessary? Again, given Vetrimaaran's track record of consistently delivering progressive films, I trust that's an unintentional reference.

Moreover, if you watch Viduthalai as a native Tamil speaker, the mediocre lip sync lets you disconnect from the film once in a while. 

Vetrimaaran makes a clear announcement at the start of the film that it is a fictitious work. Ironically, though, one could not miss noticing that the film resembles several events of police brutality that have happened in Tamil history. Was the announcement intentionally ironic? Maybe, maybe not but Viduthalai Part 1 ends with a leadup to a sequel. And that's exciting.

Just like the film has two parts, the crux of Viduthalai universe, in my opinion, can be divided into two parts too. One, not everyone who is accused and killed in police encounters necessarily is the real criminal, and two, not all police officers are brutal and inhuman. What does Viduthalai Part-2 have in store? Let's wait and watch.

But for now, you can catch Viduthalai Part-1 in cinemas.

(At The Quint, we question everything. Play an active role in shaping our journalism by becoming a member today.)

Read Latest News and Breaking News at The Quint, browse for more from entertainment and movie-reviews

Topics:    movie reviews      vijay sethupathi      tamil films  .

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Home » Reviews » Tamil Movie Reviews

Viduthalai Part 1 Movie Review: Vetrimaaran Explores A Man Losing Innocence In The Most Brutal Way

Vetrimaaran is himself experimenting with viduthalai, the filmmaker has reshaped his own grammar and tried to expand the universe..

Star Cast: Soori, Gautham Vasudev Menon, Vijay Sethupathi, Bhavani Are, and ensemble.

Director: Vetrimaaran

What’s Good: It is Vetrimaaran setting up a foundation for a much larger story that is about a man losing his innocence and a cultist making his point in the most brutal way.

What’s Bad: While this is a visually brutal movie, it isn’t so brutal in its ideology like the filmmaker’s last movies.

Loo Break: It is an uncomfortable watch which will make you look away from the screen at least once.

Watch or Not?: You must because not many brave filmmakers still have their ideology safeguarded like Vetrimaaran. A mind we must promote and protect.

Language: Tamil (with subtitles).

Available On: In Theatres Near You.

Runtime: 150 Minutes.

Kumaresan (Soori), a newly joined police officer, is posted in a politically sensitive village where he is supposed to capture the leader of a separatist group, Perumal (Vijay). With time he learns tough way that the stories of valour and shining badges about the police force are not the same in reality.

Viduthalai Part-1 Movie Review: Script Analysis

Vetrimaaran , with time, has become the voice of the have-nots whom the woke culture and progress both have to reach. He is a mirror that shows the exact reflection of their condition and how brutal an existence they are living. The filmmaker weaves his stories in a way that they are niche in nature but global in approach. Viduthalai, for the beginners is probably the least ideologically brutal movie to come out of his mind, but visually the brutality multiplies and for a reason.

Written by Vetrimaaran and adapted from Jayamohan’s novel Thunaivan, Viduthalai is a movie that is used as a run-up to the central conflict and nothing else. A 10-minute long shot without a single cut, in the beginning, speaks at length about the immersive experience the filmmaker wants to welcome you in. A train filled at total capacity with passengers is bombed, and there is death all around. The camera skilfully walks through the entire scene defying geography, through windows, uncomfortable openings in the fallen train, and past dead bodies and amputated body parts. He doesn’t want you to be a viewer but a participant.

It is about a police officer filling up for a dead officer in a region known for the unrest it is in. Technically Kumaresan always thought of the force as righteous and the one that is always at the service of people. Little did he know the brutality of the business. There is so much nuance in how Vetrimaaran creates Kumaresan visually. He is informally ousted from the troop because he follows the book and has a heart. He was told to guard a watch tower and later connected to a skill set that he must have developed while being on the tower. Slowly he is made to lose his faith and innocence but becomes brutal to fight for his rights.

So is the man who he is fighting against. Perumal, a boss of a separatist group, fights for the people. At some point in his life he was also like Kumaresan, because the screenplay does hint at his generous heart. So technically here are two individuals of the same emotion fight against each other. Between this is the class divide, the caste divide, police brutality, the haves eating off the have nots, and the forest that is very much a character.

The only thing that Viduthalai lacks in is building Kumaresan’s world inside the police workshop. He is never shown forming a bond with the fellow officers giving a gateway into some more lives.

Viduthalai Part-1 Movie Review: Star Performance

Soori, as Kumaresan, is a sheer force. The actor is our eyes in this world and is learning it as we are. He is empathetic, loveable, but these are not the only qualities which will help him survive. There is so much layering to him as he even shows hint of saviour complex. The movie explores this character in the most immersive way possible.

Bhavani Sre, a girl from the village, is an effortless performer. She becomes the voice of the women who have faced brutality at the hands of the system. When the brutality gets visual and the fact that Sre is at the recieving end, it hurts you, because the actor has managed to impress you so much. Gautham Vasudev Menon is his perfect self.

Vijay Sethupathi doesn’t have much to do than some very brief appearances this time, but the last scene where he confronts a corrupt cop is an testimony of what is about to come.

Viduthalai Part-1 Movie Review: Direction, Music

Vetrimaaran is himself experimenting with Viduthalai. The filmmaker has reshaped his own grammar and tried to expand the universe. He treats the Part 1 as just an introduction to what is to come, and that works well till and extent. But the lack of Sethupathi in the first part might not be welcomed so well by an audience who will buy that ticked for him. While there is enough brutality on screen where nails of a man are being chipped during an interrogation. Women are stripped naked and physically assaulted. But all of this is visual, the idea never gets that brutal. It does bother a bit, because the impact gets diluted by the intercutting of the scenes.

The cinematography by Velraj is beautiful and haunting. The frames are perfectly lit and they have a story to tell. The music by the Maestro Illaiyaraaja, like all other Vetrimaaran products, is on point.

Viduthalai Part-1 Movie Review: The Last Word

Viduthalai Part 1 is Vetrimaaran experimenting and trying to make his audience live a very haunting story. Go in with a strong heart because this watch needs one.

Viduthalai Part-1 Trailer

Viduthalai Part-1 releases on 31st March, 2023.

Share with us your experience of watching Viduthalai Part-1.

For more recommendations, read our Christopher Movie Review .

Must Read: Kabzaa Movie Review: A KGF Rehash Where Men Roam Around With Beheaded Heads As Accessory, Possibly No Brains & Speak In Google Translated Dialogues

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Viduthalai - Part 1 Tamil Movie

A 'Vetrimaran film' is a firebrand among South Indian movie buffs. One of the biggest reasons is the narration. He is a storyteller who has immense mastery over his craft. Mentored by the legendary director Balu Mahendra, Vetrimaran has carved out a niche for himself over the last 15 years.

With just seven features (including a short film for the anthology, 'Paava Kathaikal') in his career, Vetrimaran prioritizes quality over quantity and often draws inspiration from socio-political stories, typically from renowned novels.

Based on Jeyamohan's novel 'Thunaivan,' "Viduthalai - Part 1" is a two-part movie that follows Kumaresan (Soori), a constable, who is posted as a driver in a militant-infested hilly remote region of Tamil Nadu. The militant group is led by 'Perumal Vathiyaar', whose face is unknown to the cops. He is a ghost, so they start an 'operation ghost hunt'.

The opening scene immediately sets a grim and raw tone, showcasing the aftermath of a train bombing and the devastation it caused. The rawness slaps on our faces as the camera traverses through the eyes of a photojournalist who captures the remains of the mangled train compartments among the wounded, amputated, and deceased. Wails and cries fill the air, grim scenes fill the screen, and a sly political angle intrudes the proceedings, making it murkier.

Through a voice-over by the director, the audience is made aware of the militant operations in the Northern part of Tamil Nadu in the early 80s and 90s, which may be less known compared to the Northern and Northeastern parts of India.

The police brutality against civilians who support the rebel group was the most vocal political commentary that was exhibited on screen. After 'Jai Bhim', this one has created an impact. Chethan as the perverted officer in charge of the camp, is sure to earn the wrath of the audience. It showcases the complexity and the deft bureaucracy that exists within the system.

Soori, as the innocent and passionate constable, has the role of his lifetime. It outlines a director's role in shaping an actor's character with lines that suit the persona. In the past, we have seen Soori in the goofiest of roles, but herein we see him as 'Kumaresan', the innocent man who struggles to strike a balance between his heart and mind. His actions and emotions were natural. His commitment reflects on the screen.

Vijay Sethupathy as 'Perumal Vathiyaar', the leader of the militant group was just introduced in flesh towards the movie's climax. Although his character is the anchor on which the entire movie is spun, he gets very limited exposure. He makes an impact and will do so even more in the second installment of the movie.

Bhavani as Tamilarasi was the apt choice to play the role of a girl from that region. Her pairing with Soori looked natural and went with the flow. Her expressions were subtle, and she did not try to overdo it. A balanced and neat performance. Similarly, Gautham Menon as a cop and Rajiv Menon as the chief secretary represented the face of the "system".

The supporting characters were equally impressive. 'Munnar' Ramesh is a regular in many Vetrimaran films and makes an impression here as a cop. Ilavarasu as a politician was convincing.

The attention to detail in portraying police formalities and hierarchy, including the punishment for subordinates who do not obey orders from superiors and the officers' biases towards individuals, adds depth to the narrative.

The music by Ilayaraja and the cinematography by Velraj elevate the film's quality. The songs blend well with the narrative, and the background score enhances the gripping moments. Cinematographer Velraj has captured the hilly terrains with poise. The camera travels to unknown spaces, cramping into nooks and corners to bring out the rawness in the script.

This movie is by far the most vocal political commentary by director Vetrimaran. Though he declares that this story is fictional at the beginning, one who is slightly familiar with the dark history of Tamil Nadu can easily relate to the region and people who have been affected by police and political brutality. It is a whack on the system that favored capitalism at the cost of endangering natural resources. A royal salute to director Vetrimaran and the entire team of Viduthalai. Can't wait for Part 2!

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Viduthalai - Part 1 review: Soori steals the show in this Vetrimaaran flick

Viduthalai is a multi-layered film, held together by a gripping narrative

Nampikkai .

Trust. It can move mountains.

The name ‘Vetrimaaran’ invokes a similar faith in film buffs and actors alike. The National Award-winning filmmaker, known for critically-acclaimed films like Aadukalam , Visaranai , Vada Chennai and Asuran , has a penchant for pushing the envelope.

So, when he cast actor Soori, who is best known for comic roles in Tamil films, as the lead in Viduthalai – Part 1 , people knew Vetrimaaran had seen something in him that others had missed. In fact, Soori had revealed in an interview that they came close to working together twice in the past, but the projects had to be shelved. He went on to add that it was the director’s nampikkai that helped him realise the actor in him.

And it shows in the film, which is based on B. Jeyamohan’s Thunaivan - he doubles up as the scriptwriter, along with Vetrimaaran. Soori, as police constable Kumaresan, arrives at a remote forest base camp on the Tamil Nadu-Karnataka-Kerala border, known for violent and bloody confrontations between the police and guerrillas (named Makkal Padai, or people’s army). The police are after the outlaws and their leaders - the main target being Perumal or Vaathiyar (Vijay Sethupathi in an extended cameo).

Life in this part of the world is not all black and white, and Kumaresan learns it the hard way. A simple man with unshakeable principles, Kumaresan is drawn into the eye of the storm inevitably.

The name of the film – Viduthalai means liberation – couldn’t have been more apt. Soori is finally freed from the shackles of the comedian stereotype. He ditches his slapstick humour and mannerisms to slip into the character of Kumaresan – both physically and otherwise - and shines like never before. It’s as much a conflict of emotions as it is of ideologies and powers, and Soori essays it all beautifully.

Soori isn’t the only surprise element in Viduthalai – Part 1 . Vetrimaaran has mostly associated with actor Dhanush as the lead and music director G.V. Prakash Kumar in his films so far. (Interestingly, Kumar’s sister Bhavani Sre plays Tamilarasi, Soori’s love interest). But, this time, he not only opted for Soori as the protagonist but also brought on board legendary music director Ilaiyaraaja. The move seems to have paid off.

Viduthalai stands out for other reasons, too. One, for the brilliant cinematography by Velraj, capturing the Sathyamangalam forest in all its rustic beauty. Then, the opening scene itself is a piece of art. The tracking shot, which takes the viewer in and out of a train accident setting, is as gripping and captivating as perhaps the iconic shot in Joe Wright’s 2007 war drama Atonement . Once can see the genius that Vetrimaaran is, at work in moments like these.

Viduthalai is a multi-layered film, held together by a gripping narrative. It’s as much about police brutality, as it is about politics and ideologies (though it may seem one-sided at times). The film meanders a bit early in the second half, before picking up pace towards the end. The pulsating finish sets the stage for the next part of the film, and the post credit scenes promise more revelations and a meatier role for Sethupathi, who shines in the limited screen time he gets in this one.

Will Perumal be able to liberate the land from the clutches of the mining mafia? Which side will Kumaresan finally find himself on? Will politics prevail or will the people’s movement bring the powers that be on their knees? Will Viduthalai – Part 2 deliver a resounding answer to all these questions?

In Vetrimaaran, we trust.

Film: Viduthalai - Part 1

Language: Tamil

Director: Vetrimaaran

Cast: Soori, Vijay Sethupathi, Bhavani Sre, Gautam Vasudev Menon and others

Rating: 4/5

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